dating burny guitars

Way back in the the early legend of guitar research, Michael Wright, published a short list like this in his book Guitar Stories Volume One. Many thanks need to go out to the main contributors to this list besides yours truly. These three guys are just so great for sharing what they know. So I really appreiate these fellers! As of late, the great Bill Menting has been filling in some of the missing information, and again, I appreciate it! Also, a million thanks goes to the excellent work of Michael Wright, who was writing and researching these guitars when people were just as likely to throw them in the trash. I also want to mention the great site Jedistar. That fellow has done some really excellent work compiling all sorts of information regarding guitar brands from all over the world, both past and present.

Dating fernandes guitars by headstock shape amp logo

The ES was introduced in Gibson hired Ted McCarty in , who became President in He led an expansion of the guitar line with new guitars such as the “Les Paul” guitar introduced in and designed by Les Paul , a popular musician in the s and also a pioneer in music technology. Later, a shorter neck was added.

Similar in size to the hollow-body Thinlines, the ES family had a solid center, giving the string tone a longer sustain. In the s, Gibson also produced the Tune-o-matic bridge system and its version of the humbucking pickup, the PAF “Patent Applied For” , first released in and still sought after for its sound.

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This number can be used to date a guitar and in some cases tell where it was made. Serial numbers tend to be stamped or written somewhere on the headstock or neck joint of the guitar. On some acoustic guitars, the serial number is on the inside of the sound hole. Serial numbers are often at least four digits long, and they sometimes include letters. Search the area around the serial number for a date stamp.

Not all guitar brands use date stamps, but if you find one, you have your answer. Look for the brand name decal on the guitar’s headstock. Each guitar brand uses a different set of serial numbers, so you need to identify your guitar before you attempt to use the serial number to learn when it was made. This can help when you are researching serial numbers.

This information is often written on the headstock or truss rod cover.

Tokai Guitar Registry

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Daimaru Founded in the city of Matsumoto, Japan in the early s, Daimaru produced their own house brand, although they outsourced electric guitar production to Teisco during the s period.

Sunday, January 26, Guitar Model Numbers and Old Guitar Catalogs When buying a used guitar , it is common to find sellers who cannot provide information on the model number. These are useful in determining the quality of the guitar as compared to other models released in the same period. Higher models typically use less wood pieces, premium flamed tops , and better pickups. Some MIJ guitar models indicate the selling price at the time.

For example, an EG model was sold at 70, yen. If you know the model number and year of manufacture, you can check the catalog to validate how it should look like.

Japanese Manufacturers of Made in Japan Badged Electric Guitars From to

The ES was introduced in Gibson hired Ted McCarty in , who became President in He led an expansion of the guitar line with new guitars such as the “Les Paul” guitar introduced in and designed by Les Paul , a popular musician in the s and also a pioneer in music technology.

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Specially, Kanda shokai, they were distributing the Greco brand Guitar made by Fujigen. Fujigen invested several CNC machine to produce the accurate wood body shape without time consume. On the other hand, Tokai and other MFGs are distributing their guitars with high-technical productivity. The technology of those guitars were evaluated worldwide better quality than original Fender guitars. Some Fujigen made Fender replica between and have necks made by Atlansia.

Dyna Gakki have made various guitars for Kanda Shokai’s Greco brand. Terada made the Fender Japan acoustic guitars such as the Fender Catalina. At the result of production delay during this Fujigen new facility expansion, Dyna Gakki took over some of the production of the Japanese Fender models which resulted in a CIJ logo being used on some Japanese Fenders instead of a MIJ logo. Fender Japan starts production with Fujigen Gakki having the manufacturing contract.

The first “Crafted in Japan” CIJ models start appearing due to Dyna Gakki taking over some of the manufacturing while Fujigen were expanding their operations.

Vintage Guitars

Fernandes is the parent company that made most of the company’s Fender replica guitars under its own Fernandes name. Burny is the brand name or division that focused on the making of Gibson replica guitars. For their Fender copies, they were forced to change their headstock shape completely.

We continue to love the Memphis community and hope to be a key contributor to its future when we move nearby to a more appropriate location for our manufacturing based business, allowing the world the benefit of our great American craftsmen.

It was the third album of Hendrix recordings to be produced by Alan Douglas. The album contains five jam sessions, edited by Douglas. It only charted in one country — the United States — and even then only, briefly, reaching th on the Top Billboard chart, before dropping out quickly. Various versions of the jams on the LP had previously circulated widely on bootlegs. These jams were recorded at a time when Hendrix had become acquainted with Miles Davis Hendrix’ girlfriend Devon Wilson had a close friendship with Miles’ wife Betty Davis a funk, rock and soul artist , who had begun to “cross over” to jazz fusion with In a Silent Way recorded February 18, which featured the English electric jazz guitar player John McLaughlin as well as bassist Dave Holland.

Hendrix had previously used a jazz influenced style from at least , most notably on ‘Up from the Skies’ from Axis: Hendrix and Davis had discussed music and, it is claimed by Alan Douglas [a jazz producer, introduced by Devon Wilson who was already friendly with clothing designer Stella Benabou then married to Douglas ], that he, eventually, attempted arranging recording sessions with Davis and Tony Williams, with a view to a possible album. But this came to naught, again according to Douglas, through exorbitant demands for upfront cash from both Davis and Williams.

Davis, from , hired John McLaughlin, and latterly others who have been described as “sharing Hendrix’s fascination with noise. McLaughlin later complained that the production was poor, and that he was inadequately recompensed for his efforts. Douglas and Bright were attempting to produce Hendrix’ Band of Gypsies from early October until November 28 when Douglas and therefore his employee Bright resigned as producer, “citing his own busy schedule, constant pressure from Jimi’s manager Michael Jeffery and Hendrix’ own indifference.

It was a lousy deal with a lot of bad vibes around.

Gibson

Larry Meiners Today the guitar marketplace is full reissue models, most of which were originally designed in the s. Yes, Gibson began making the Les Paul guitars again in and Fender made the Anniversary Stratocaster in , but these were not so much reissues as updated versions of their earlier models. Well before these two American guitar manufacturer began remaking their classic reissue models, several American luthiers and one Japanese maker, Tokai, began making close-to-exact copies of the late s Les Paul and Strat.

They saw the market demand and were infusing the supply.

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I’m just someone who likes to make music. I hack away at it; I have since I was 14, back when the Beatles were still new. Still, I enjoy playing, and perhaps learning even more. So this is a page for amateurs like me. I had sold my last guitar a few years back in order to focus on other things the shakuhachi, for one.

Last Spring, Susan gave me a beautiful blue Takamine C.

Squier

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This is one of the most frustrating questions from the MIJ collector. People often make the mistake of citing the American or European importer as the ‘maker’ of the guitar, when in fact several Japanese manufacturers were producing badged guitars out of their plants and shipping them to America and Europe to sell. Japanese manufacturers made multiple badges at the same plant, many of whom resemble each other closely.

Some manufacturers merged or changed hands over the years which added to the confusion, sometime merging with another maker, only to pick up their name later. In some cases a manufacturer would farm out production to various manufacturers, making it still more difficult to know who made the guitar in your hands. Parts from other guitars would be used in the making of a particular badge for a period of time because it was all the manufacturer had to hand And sometimes, the guitar which is supposed to be an MIJ guitar is actually made elsewhere Korea, Indonesia because production was moved during this period in history.

This page is a work in progress and as new information is revealed it will be added to the list. But I can’t do this alone, folks. See a guitar not listed?

Fernandes Telecaster vintage

They have been making guitars since the early ‘s at the FijugenGakki plant. At first, they didn’t have the hardware to make really good, exact replicas, but by or so, they had the correct-style hardware to match their excellent craftsmanship, and they put out some killer replicas. They beat Tokai to the lawsuit race by at least 5 years. Eventually, as the company found that the demand for their popular replicas grew and that the size of the production was getting too large, they relinquished their Stratocaster division to Fender Japan in late

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The previous Fender Japan models were all Fender Squier models. The Fender Contemporary models were manufactured from to by FujiGen Gakki and these Stratocasters were designed to be Superstrats Super Strat with a Floyd Rose like bridge designed by Schaller and Gotoh and humbucking pickups. There was a lower priced Fender Contemporary Squier model produced as well.

When CBS sold Fender to its current owners in there was a transitional period from to with limited Fender USA production resulting in mostly Fender Japan and leftover stock being sold. The Fender Contemporary Telecaster models used the same tremolo systems as the Fender Contemporary Stratocaster models. There were also USA Contemporary Stratocasters and Telecasters which were totally different than the original Japanese models in terms of features and construction.

These shortlived American-made models were made by the Fender Custom Shop in the mid s. The System I tremolo system uses a behind the nut string locking mechanism and was manufactured by Gotoh. Both bridges were manufactured in Germany by Schaller. Sometimes parts of the tremolo system are lost and one common modification is to make the bridge function as a hardtail by locking the bridge into a non movable position and installing a string tree for the first and second strings so that the strings don’t slip out of the nut slots.

The pickups used in the Contemporary models were manufactured by Fujigen. All the pickups used on the Contemporary models are Alnico and not ceramic pickups. The humbucking pickups used in the Contemporary models have a DC resistance which is approximately 7. The single coil pickups used in the Contemporary models have a DC resistance which is approximately 5.

BURNY BASS

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If you’re looking for an easy to play guitar, the action doesn’t get any lower than this baby. Excellent value and quality that’s typical of Korea today. This model was only made in one small run so there aren’t many of these around – most of the Harm 3 models feature the cats eye f-hole in a semi-hollow design while this model was a limited edition production model that’s no longer available.

It features a solid archtop mahogany body, 22 fret maple set-neck with ebony fretboard and synthetic bone nut, side markers on the side of fretboard only, jumbo frets, flat The setup on this guitar is superb and the tone is warm and rich, very good choice for anything besides metal. Last Guitar , pic2. More pics and full description at this link: Owned by Martin Miranda, my world-class tech, who was a close friend of Bernie and this was the last guitar that Bernie ever built, albeit not quite finished, and he was working on it the very day of his untimely passing.

Fernandes Guitars NAMM 2013 Highlights